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Ivan Swift

$2 250.00
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Ivan Swift
Product Details
Ivan Swift, American, 1873-1945. An early 20th century oil on canvas Harbor Beach, Michigan landscape. Image 35 1/2 x 23 1/2, in painted wooden framed 40 x 28" high. Signed "Swift" lower right. Includes a first edition copy of Swift’s “Fagots of Cedar” (Chicago, Tomorrow Press, 1907) poetry book with handwritten inscription from the aritst dated 1911.

*Note: All works can be shipped, please contact us at 734-434-2660 or info@schmidtsantiques.com to request a shipping estimate.

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Biography:

Richard Wilt, American, 1915-1981, was born in Tyrone, Pennsylvania. Educated at the Carnegie Institute of Technology in Pittsburgh (BFA 1938), the New School for Social Research in New York City with Stuart Davis (1945), and the University of Pittsburgh (MA 1953), Wilt was also a pilot of B-25 Bombers in the North African Theater during WWII (1942-1945).
After a brief time in the Art Department at the University of West Virginia (1946-1947), Wilt began working at the University of Michigan in 1947.
His other teaching positions included those at the Somerset Summer Art School (1940), Oxbow Summer School of Art (1947), Wayne State University (1969) and the Cranbrook Academy of Art (1969).

His work is characterized by the variety of methods to achieve surface texture, including impeccable line drawing and scoring, precise blotting and bleeding of color, as well as meticulous beading and veining of pigment. He is well known for his figurative depictions, which usually feature inert, vacant-eyed, surrealistic forms, and for his “instant image” technique which he used to create atmospheric landscapes inspired by sabbaticals in Maine and Antigua. Several his works remain in the permanent collection of the Detroit Institute of Arts, the Carnegie Museum of Art, the Pennsylvania Academy of Fine Art, the, Butler Institute of American Art, the University of Michigan Museum of Art, the Kalamazoo Art Institute, the Sound Bend Museum and more.

“He deals with all these themes (and many more), altering his approach and treatment in tentative ways. But the consistent elements are the hard, clean lines of his drawing and a sure sense of arrangement: his figures seem to be acting out scenes which compose themselves...To say this is to recognize a skill which makes composition seem easy”
- “Crowding the Slusser Gallery with Life, Color”, Robert Iglehart, 1979
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